February 2008: The Salmon Dance
     Not even a month without drink or drugs had prepared me for this. The vapid mind, the vacant line, the empty page still facing me. Where did one go now? Was it a matter of waiting a bit longer? Or did I ever have something to contribute to the conversation?
     What happened to the easy, honest lines? Did they dissipate in time with the appearance of all these wrinkles around my eyes?
     Am I shadow of myself, or have I always been merely a shadow? And are such questions mine alone, or do they haunt my brethren, too?
     Either way, my Townes Van Zandt albums collect dust, for I am envious. My miscalculation: the need for genius to create pertinence. The voice laid bare without it only sounding thin...

May 2007: #6 "Sacrifice"
In 2054 a massive tsunami devastates Manhattan. The island’s bridges and tunnels are destroyed. Two years of riots follow. Outlaw barge cities form in the waters around Manhattan, traffickingbody modifications and open source drugs. In 2065 the construction of a 20-meter-high barrier encircling what is left of Manhattan is completed and
martial law is declared....
amerpsand the semantikon editorial
Feb 2008: Guest Editor Ralph LaCharity

The pharmakeus juggles syzygytic ineffability with aplomb, co-incidence lurks camouflaged in the rushes, and limbo has been banished by prelates
too wary by half. What we were seeking was the miraculous. We were in error to think there could be any guarantees.

You have assembled a smorgasbord of the possible. That’s what a feature is. What this feature is. Ancient Egypt’s corruptions articulated as minutiae
beloved on the sly. Even dust motes are collages, and we all know collages rule.

I stumbled into the burstnorm variations of Geof Huth’s rapt omniverse quite by the usual accident: I followed my nose.

 .Open.

re: semantikon interviews
NEW:Interview 2006 Art feature Fritz Kappler

    “...Visually, the “Bloom Baby” was born sometime back in the last part of the 19th century on the side of some baking product or something. The missus had one of those calendars that had reproductions of weird Victorian graphics and things; advertising, greeting cards, toys etc. And once I saw these things, of course, I wanted to incorporate that weirdness into my work because they just embodied so much of the stuff I love - anyway I referred to some of them in “A Magic Day Coloring Book” including the Blooom Baby. Since that time he’s popped up many, many times: on paper, canvas, wood, cardboard, I think even an ice sculpture, I can’t remember. That’s him in “Games For May”, “Mantra”, in blackface for “Blackberries” and a couple others. He’s currently out of the country and isn’t returning my phone calls."   .Open.
                              

Hypergraphia Official semantikon blog updating daily with items on our featured writers, artists, film makers, found websites, audio, and do-it-yourself publishing
Cell Logic Cinema Lost and Found Semantikon web based television station featuring original cinematic works, archival works and performances.
Deepsong Semantikon webcast and semantikon archive of artist reading their works, interviews, performances, music, discussions and more
Three Fools Press Semantikon Publishing house for original e-books including manifestos, monographs, coloring books, poetry, novellas...
Broadside: semantikon collection of free broadside posters featuring the visual art and writings from each of monthly features back to 2005