semantikon feature literature
October 2006
Taylor Ellwood
angela marsh works
1. Cut Up Commodity
2. Harry Potter Ritual

Taylor Ellwood is co-author of Creating Magical Entities, author of Pop Culture Magick and Space/Time Magic. This month will see his essays published in an anthology of contemporary magickal thinkers, Magick on the Edge. In November of 2006, his fourth book, Inner Alchemy, on the shaping of physical neural paths will be published by “Megalithica Books”.  Kink Magic: Beyond Vanilla Sex Magic, co-written will be published in 2007. Taylor is currently working on his next solo book, Media Magic.

In addition to his books, his website thegreenwolf.com, and his blog, Taylor is a regularly invited speaker on everything from novel magical technologies like those found in his controversial Pop Culture Magick to topics like sex magick, physiological paradigm shifts and time travel.

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The Harry Potter Ritual
listen to Taylor read this work


     For Ostara 2004, (Spring Equinox) the college group of pagans, which I meet up with sometimes, asked me to write up a ritual for them. I decided to do a Harry Potter ritual. I chose Harry partially out of whimsy, but also because I felt he embodied the youthful and hopeful energy of Ostara. I based this ritual on a Harry Potter collage sigil I’d created along with David Cunningham in 2000. And although this ritual was written for Ostara, it can easily be adapted for any time of the year.
     David and I noted with some interest how upset the far right of Christianity was with Harry Potter, proclaiming that the books were being used to promote the occult, even though the author stoutly claims to this day that she’s not a witch and isn’t trying to promote the occult. But even if she wasn’t, that didn’t mean that Harry Potter wasn’t. We felt that since the Christians were putting so much energy into Harry Potter, even if it was negative energy, we’d capitalize on their belief and direct it into their worst fear, that Harry Potter was stimulating an interest in the occult, something ultimately productive for magickal communities everywhere.
     To make the collage, we gathered images from the web and put them into a collage. For instance, we used part of Hogwarts Castle and then we showed a stream of people running into the castle. We had several images of Harry, one of him studiously reading, one of him pouring liquid into a cauldron, and one with his hands raised, looking wrathful. This last one was placed over a picture of a crumbling church. In bold red letters we wrote the phrase “Couldn’t we all use a little magick?”
     We sent this collage out to our e-mail list and asked people to charge it up, to focus and fire the collage with the intent in mind that I described above. As far as I can tell, to this day the collage sigil continues to fulfill its function. I attribute the rise in online magick schools as being partially due to the collage sigil.
     Fast forwarding to the spring of 2004, I began to think it would be cool to do the Harry Potter Ostara ritual, albeit, with a different focus in mind. This time, I wanted to stimulate a feeling of growth and renewed interest in doing a little bit of magick. Maryam Fazl helped me to put this ritual together.
      The first thing we actually decided to do was do a traditional circle which usually entails calling the corners. Instead of calling four corners, we asked those who attended to call one of the houses of the Harry Potter universe. For example, instead of north, someone would call Houses Slytherin, Gryffindor, Hufflepuff, or Ravenclaw. The script for the calling was up to the callers, though we did offer to provide a script if anyone didn’t feel like coming up with their own. Calling each house involved evoking the attributes each house embodied. For example, with Slytherin, the person called on cunning, slyness, and other attributes that represented an ideal Slytherin person. I drew upon Rowling’s first book for a chant that could be used, the following from the Sorting Hat chapter:

 
For Gryffindor:
          “You might belong in Gryffindor,
          where dwell the brave at heart,
          Their daring, nerve, and chivalry
          Set Gryffindors apart” (Rowling 118)
          Couldn’t we all use a little magick?

For Hufflepuff:
          “You might belong in Hufflepuff,
          where they are just and loyal,
          Those patient Hufflepuffs are true
          And unafraid of toil” (Rowling 118).
          Couldn’t we all use a little magick?

For Ravenclaw:
          “Or yet in wise old Ravenclaw,
          If you’re a ready mind,
          Where those of wit and learning
          Will always find their kind;” (Rowling 118).
          Couldn’t we all use a little magick?

For Slytherin:
          “Or perhaps in Slytherin
          you’ll make your real friends,
          those cunning folk use any means
          to achieve their ends” (Rowling 118).
          Couldn’t we all use a little magick?

     It’s clear that we drew upon on the actual writing of Rowling for the ritual. I find this to be effective because if people have read the books they’ll recognize the lines and get into the ritual even more. Drawing from the actual writings also got the attention of the Harry Potter Egregore focused on the group. We had people who felt they identified with one house or another go to that part of the circle, the idea being to create a resonance from the identification with the particular house. This strengthened the energy, and allowed us to successfully invoke the characters from the Harry Potter universe,
     For the next part of the ritual, I led a guided meditation. I had the people go through a hundred deep breaths with each ten breaths focused on spreading a tingling relaxing energy through the body. The people would breath through their nostrils and out their mouths, continuously, without pausing between breaths. The first ten breaths focused on the feet, feeling this tingling relaxing energy in the feet. The next ten breaths moved the tingling relaxing energy up the calves to the knees. We continued this with the thighs, then the hands and arms, before moving on to the torso and head. Ideally this one hundred breath routine will make you feel very relaxed and very open for the next stage of the ritual. At the end of the one hundred breaths, the participants were asked to step through a magical door where they would meet a Harry Potter spirit guide that’d instruct them in how to find a little more magick in their lives.
     Almost all of the people who participated in the ritual had an experience with the Harry Potter universe through various characters. All of those characters offered advice to the various people in the ritual. Characters as spirit guides ranged from Harry Potter to Draco Malfoy, to McGonagall. Some of the characters were trickster like in nature such as Malfoy, but overall the majority of experiences that people had were useful for them. What I found most interesting is that one person, Aurora Mallin, was already devising a correspondence system for the Harry Potter universe and tarot cards. This ritual didn’t necessarily contribute to that, as she already had it well developed, but nonetheless both the ritual and the correspondence system allow for a furthering of the HP current of energy for those who wish to work magick with it.
     After the meditation was finished we had a feast where we told stories about people who could use a little magick. At the end we closed our circle, again with the chants above, but with a hail and farewell at the end and went on our way. The idea of the ritual, to promote magick in our own lives worked, even if only for that night.
     This ritual can be done at any time of the year, for any day of the week. As the purpose is to promote a little magick in your life, why not try it some time when you need a little magick and see what results you get!


Works Cited
Rowling, J. K. Harry Potter and the Sorcerer’s Stone. New York: Scholastic Inc, 1997.