semantikon feature literature
December 2007
Paul A. Toth
works
1. Exclusive Excerpt of Paul A. Toth's New Novel "Fugue"

          Chapter 8
       ... Begin
       ... She left
       ... Never made coffee
       ... That night
       ... The phone

     ... Earthquake 1.0

          Chapter 7
        ... Begin
        ... That's right, Iranian
        ... Scatter them Jesus
        ... She pulled the sheets
        ... Earthquake 2.0
2. New Poetry Collection:
"Hitler: Five Impossibly Possible Love Stories"
          I.   1918
          II.  1918 Part 2
          III. 1931
          IV. 1938
          V.   1945
3. Short Story: "Necktime"
Short Film Adaptation of "Necktied"
by Tom Shell/Paul A. Toth
"Knotted"
watch paul toth short film
 
hear audio
AUDIO
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paul a toth broadside poster
Broadside of Paul A. Toth
"Earthquake 2.0, from Fugue"
bio

Paul A. Toth is a Flint, Michigan native now living on Sanibel Island, Florida. Paul’s previous works includes critically acclaimed novels “Fizz” and “Fishnet”,and short story works including “The Pop Lady Comes on Wednesday” which earned him an honorable mention for the work, and a slot in the “17th Edition of the Year’s Best Fantasy and Horror”. His audio work, which often combines story and music, has been widely published, and he produces tracks for Mad Hatters' Review. Two films, "Fizz" and "Knotted", have been based on his stories. The latter was a semi-finalist on Triggerstreet and was also a IFilm Plus Selection.

Paul’s essays on music, sexuality, psychology, literature and art have appeared in a number of journals including salon.com. Currently, Paul acts as fiction editor for storySouth.

This feature includes a web exclusive excerpt form his new novel "Fugue"

To learn to more about Paul, visit:

paulatothblog.blogspot.com


or

To keep up on new works, watch films and more...much more visit:

www.nept.tv

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Paul A. Toth, writer, novelist, multimedia artist, poet, web exclusive, flint, michigan, sanibel island, florida, fishnet, fuzz, film, audio, new novel, hitler: five impossibly possible love stories, short film, audio reading

Hitler: Five Impossibly Possible Love Stories
Editor's Note: This work appears as part of a multi-media package that includes hand numbered cd-rom package that includes artwork and two short films. If you would like to own a copy, please support the artist and visit www.netpt.tv/twbooks.html to get your copy today.

paul toth hitler five impossibly possible love stories


I: 1918
Shortly before hospitalization,
Hitler met a "nurse"
who noticed he could use

girlish
hospitality.

She took him to an apartment
and made tomato soup.
Upon the kitchen walls he spat

red
ejaculations.

She provided comfort
by applauding every word,
assuming his rage another post

war
reaction.

Still, she thought he must be joking
when he spoke about the Jews,
for else how could he speak such

gut
offal?

Doing dishes without his help,
she turned and lifted his shirt.
He resisted; she persisted.

"Can't --"
" Must --"

She did not move or moan;
he was like a virgin brother,
she thought, soon to die of

boy
cancer.
Within days he was certain
that he would be a great man,
for great men often suffered

tertiary
syphilis

or had before the cure,
which he accepted
because the chancre burned
like
poison.

He wished to thank
her for his place in history,
but the pages mentioned

only
numbers.


II: 1918 part 2

As an informer
in the barracks,
after the war
and before the war,
in between
in Munich,
Hitler topped a bunk bed.

One night, he was informed
by a long-armed veteran
that hands through pajamas
easily slipped,
despite a target so nervous
that the bunkmate below
had little to hold
his interest for long.

Hitler swapped bunks
at the price of his boots,
remembering in socks
that ancient Greeks
thought powerful men
could be as attractive
to one gender as the other.

He awakened
to the white light
of his monomania,
back stiffening,
close but no cigar
for the bunkmate,

who would never know
what mercy had been shown
when he was shot in the head
running at Stalingrad
instead of a barbed wire fence.


III: 1931

" For the last time, no!"
Hitler shouted,

and with the slam of the door
came the slam of a bullet

that pierced her
in that way he refused.

"But why? But why?"

her dying mind cried;
they were so close

and he said such things
as lovers say

and was almost
-- what was that word --

surreal,
spooled shadows

splattering the screen
under her skin.

What about the chauffeur?
That would have showed him.

Instead, once again
when she reached

Hitler's hand resisted
as though he were a young girl:

"Not there!"
Hand pushing. "No!"

Sad resolved
that if nothing happened again

her finger'd find a new place
after he slammed the door.


And to make it easy he shouted,
" For the last time, no!"

Her finger found the trigger
and she was killing him,

and he would learn why,
and he would learn how.


IV: 1938


Mitzi hangs from a rope
with skies for eyes.

She falls but is caught
by the cutter,
and the sound of the knife
slashing the rope

reminds her of Adolf
whipping his dog.

"Why not whip me?"
But that would require
allegiance, dedication,
more than he had written

in her signed copy
of Mein Kampf.

He would kiss her
and kiss her and kiss her
as if soaking up her atmosphere,
as if using her like a resource,

oil refinery
or copper mine.

"Thank you," he said,
and she knew why.
It was true that he took
and always came out
ahead in the end,

until the end;
she still loved him then.


V: 1945


In the summer
at the Berchtesgaden
they slept upstairs
in separate beds,

usually.

With the windows open
the smell of war
was far, far away,
and so was he,

usually.

She romped, as radiant
as the acrylic light
of mountain skies.
Little Eva, so happy,

usually.

"What happened?"
Her friends would ask.
" Tell us, tell us: Do you?"
" Not," she said,

"usually."

But even when the war
drifted with the wind
to Berchtesgaden and Berlin
he never hurt her,

usually.