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December
2007
Paul A. Toth
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1. Exclusive
Excerpt of Paul A. Toth's New Novel "Fugue"
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2. New
Poetry Collection:
"Hitler: Five Impossibly Possible Love Stories"
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| I. 1918 |
| II. 1918
Part 2 |
| III. 1931 |
| IV. 1938 |
| V. 1945 |
| 3. Short
Story: "Necktime" |
Short
Film Adaptation of "Necktied"
by Tom Shell/Paul A. Toth
"Knotted"
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AUDIO
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Broadside
of Paul A. Toth
"Earthquake 2.0, from Fugue"
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Paul
A. Toth is a Flint, Michigan native now living on Sanibel
Island, Florida. Paul’s previous works includes critically
acclaimed novels “Fizz” and “Fishnet”,and
short story works including “The Pop Lady Comes on
Wednesday” which earned him an honorable mention
for the work, and a slot in the “17th Edition of
the Year’s Best Fantasy and Horror”. His audio
work, which often combines story and music, has been widely
published, and he produces tracks for Mad Hatters'
Review. Two films, "Fizz" and "Knotted",
have been based on his stories. The latter was a semi-finalist
on Triggerstreet and was also a IFilm Plus Selection.
Paul’s essays on music, sexuality, psychology, literature and
art have appeared in a number of journals including salon.com. Currently,
Paul acts as fiction editor for storySouth.
This feature includes a web exclusive excerpt form his new novel "Fugue"
To
learn to more about Paul, visit:
paulatothblog.blogspot.com
or
To keep up on new works, watch films and more...much more visit:
www.nept.tv
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| Paul
A. Toth, writer, novelist, multimedia artist, poet, web exclusive,
flint, michigan, sanibel island, florida, fishnet, fuzz, film,
audio, new novel, hitler: five impossibly possible love stories,
short film, audio reading |
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Exclusive
Excerpt: "Fugue"
A New Novel by Paul A.Toth
Chapter
Eight Continued:
The Phone
The phone was still ringing the next morning. I couldn't
unplug it because the jack was protected by a dresser
bolted to the wall. There was no ringer control. I tried
taking it off the hook, but the megaphoned orders of
the operator -- "If you'd like to make a call, please
hang up and try again" -- rang louder than the ringing.
Between the ringing and the pillows over my head, I could
hardly hear my neighbor shouting, "You're gonna
ring when I shove that phone up your ass." Later: "Turn
that goddamn phone off. Turn it off, turn it, turn it
off, turn it off, turn it off, turn it off."
I
dressed without taking a shower. In the bathroom, I splashed
water on my face, then turned off the light and left. The
phone was still ringing when I closed the door.
"Why the hell," the manager said, "was
that phone ringing all
night long?"
His lumberjack-plaid shoulders wider than a linebacker's,
I half-expected him to go outside, return with an axe the size of a redwood,
raise it over my head and split me in two.
"It was my mother," I said, telling the
truth only because it was less bother than inventing a lie he'd never believe.
"Your mother?" he said. "Your mother
is a very tenacious woman."
"That's not the word I'd use."
"What word would you use?"
"Better not to say."
He looked at me: wrong answer. I dropped the room
key on the counter.
"You could have left it in the room," he said. "I
would have preferred
it."
He was still standing there confused when I took
off; he couldn't possibly imagine a mother like mine. Most sons might have been
more forgiving than me, at least from a distance, but they couldn't measure my
distance, nor could I explain to them why Mother's Day sentiments eluded me.
There was a gulf between me and that world, a crevice, a faultline, and it was
growing wider. I couldn't know that by demarcating its boundaries, I would cause
an earthquake, preceded by seven minor shakers. They came at night, just before
sleep, when I least expected my walls to bend.
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