semantikon feature literature
Sep. 2004
Mark Flanigan
works

AUDIO
biography

Cincinnati native Mark Flanigan has been writing and performing for over 14 years....Works from his collections Wrong-Way Poems For One-Way Streets, Not Necessarily God Stories and Next to Nothing have appeared in a variety of independent publications.

He has also co-written a screenplay (“Midway,” with Brian Keizer), edited a literary publication (omnibscure) and worked to develop, produce and curate various gallery shows and performance readings -- notably, VOLK/c.s.p.i. and Intermedia Series readings at the Contemporary Arts Center and the Weston Art gallery.

Flanigan’s monthly column, “Exiled on Main Street,” appeared for over three years, first in x-ray, and upon his resignation there, at semantikon.com.

Performances of his can be found on “the Volk/c.s.p.i. spoken word series CD (2001),” which he co-produced, and on the CD “One Night Only (2002),” both of which can be purchased at semantikon.com’s artist exchange.

Through the fall, Mark will be touring the Midwest on a supporting book tour for the publication of his works in the annual review in the stomach. Flanigan and musician Steven Proctor are also at work recording their first album together why, available in winter 2005.

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Mark Flanigan, Cincinnati, Ohio, poet, performer, editor, poetry, minute poems, performance artist, audio clip, steve proctor

The Setup


the man’s sitting on the steps
of my apartment

drunk and stupid,
frightening in all his
smallness

“is my girl inside your
place?” he asks.

yeah, I answer, she’s taking a
shower.

“she’ll be awhile,”
he says, while I
sit down
next to him, hand him
a Miller light.

“you know,” he sighs,
“ she spends more time
getting ready
for her shower
than
she spends inside it.”

I look at him—
the man is beyond
beat,
dejected;
it’s over for him,
he senses as much
without knowing it.

“man,” he smirks, “I’m sorry
about the blow
to the groin;
it was cheap, I know,
but
I had to get you back
for
what you did
to my head.”

forget it, I say,
besides
you fight
more like a girl
than I do.

“you know, man,
she’s the first
one
I’ve ever hit.

“it’s just that
she drives me
so damn crazy
with all her lies
and bullshit, you’ll see
soon enough.”

I say nothing.

after awhile
the man starts to squirm,
his body
slithering
back and forth
until he looks at me
sideways, says:

“man, just gimme’ five
minutes
with her.

“come on, man, just
five minutes, that’s all
I’m asking.”

you’ve already
had enough
time, I say.

and anyway
she doesn’t have
anything more
to say
to you,
I tell him.

his head sinks
into his knees.

“man, you don’t realize....
she’s gonna send me
to jail.”

I remind him
you shouldn’t have
beat her,
or broken my windows
for that matter.

way I see it, I say,
you sent yourself
to jail.

“I’m a wanted man,”
he cries,
“ Christ
I can’t even sleep
in my own bed.”

the man begins to weep,
and although
usually
my heart leaps
for the lost,
this time I reason
pity—not unlike poetry—
has yet to answer
any of our prayers.

no one has pressed
charges,
I remind him anyhow,
and no one wants
to see you
go
to jail.

he stops sobbing for a moment
as he looks me over.

starts all over again.

I’ll tell you what I’ll do,
I say,
you go over to your place
and I’ll send
her over, okay?

yeah?

yeah, but
you only get
five minutes,
and if I hear
one more scream, that’s it,
curtains....

the man stands,
my beer in his
left hand;
“ thank you, man,
thank you,”
he says
while shaking mine
with his right.

I watch him for a second
before
walking back inside
my apartment,
where the girl
is wet
in more than one way.

I pick up the phone, dial
9-1-1.

I caress her, then,
while
I hear the cop
cars
approach:

sirens in the distance,
ringing out the old,
ringing in
the new....

his time
was up,
and at the same time,
just beginning.