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Sep.
2004
Mark
Flanigan
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AUDIO
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Cincinnati
native Mark Flanigan has been writing and performing for
over 14 years....Works from his collections Wrong-Way Poems
For One-Way Streets, Not Necessarily God Stories and Next
to Nothing have appeared in a variety of independent publications.
He has also co-written a screenplay (“Midway,” with Brian
Keizer), edited a literary publication (omnibscure) and worked to develop,
produce and curate various gallery shows and performance readings --
notably, VOLK/c.s.p.i. and Intermedia Series readings at the Contemporary
Arts Center and the Weston Art gallery.
Flanigan’s monthly column, “Exiled on Main Street,” appeared
for over three years, first in x-ray, and upon his resignation there,
at semantikon.com.
Performances of his can be found on “the Volk/c.s.p.i. spoken
word series CD (2001),” which he co-produced, and on the CD “One
Night Only (2002),” both of which can be purchased at semantikon.com’s
artist exchange.
Through the fall, Mark will be touring the Midwest on a supporting
book tour for the publication of his works in the annual review in
the stomach. Flanigan and musician Steven Proctor are also at work
recording their first album together why, available in winter 2005.
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| Mark
Flanigan, Cincinnati, Ohio, poet, performer, editor, poetry,
minute poems, performance artist, audio clip, steve proctor |
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FLASHBACK....
kidnapping
lawrence ferlinghetti the plan,
hold him for ransom until an agreement to publish was forced
a la the
unabomber manifesto, albeit on a more pocket-size
scale had to settle for gregory corso,
though who, it turned out, was intrigued by the situation unfortunately,
the semi-famous author’s friends and former publishers weren’t,
the plan thus unraveling the two writers talked in the meantime,
mostly about their difference in taste with regards to—not poetry—but
their narcotics of choice and later they parted, much to
their credit, without either respect or animosity the following
morning our young writer would come across a herb caen article announcing that
the city of brotherly lovers was offering our terrorist a press run if he agreed
A) to keep Corso and B) that said press run be limited to no more than two
copies the as-yet unpublished writer figured no amount of fame was worth marrying
such a maiden and, anyway, he already had a dog who, at the very least, was
housebroken still, the threat of harm brought about radical
changes in ferlinghetti’s lifestyle the most obvious
manifestation, of course, being the fact that he no longer traveled without
an entourage of bodyguards most of whom were frustrated writers
themselves, which only served them to better understand the predatory type
and, besides, with so many bodies on the payroll, all future city light printings
would have to be put off until the climate was a steadier one which
is to say, indefinitely this and the fact that when
he appeared in public, it was no longer as himself, but instead as one of the
talents he so long ago helped cultivate which worked,
but only as long as one of them remained alive (one besides
burroughs, the logic being that he had always been dead) mayhem
ensued as a result of such an oversight, ginsberg three years ripe (at least)
spotted near where the people’s garden once stood and
although sales of his books skyrocketed with such exposure, generating the
first book of poems to top the n.y. times bestseller list
since jewel’s best-selling a day without kotex
(1999) gold for city lights and san francisco both
as they became the new metjagoria what with ginsberg being
a much easier sell than the virgin mary these days all good,
this but, alas, los angeles remained impervious to being
saved charles bukowski finally got his while walking
on sunset boulevard, while wearing a sweater no less mr. ferlinghetti,
of course, would receive a proper burial while our author remained largely
unknown outside of himself both will be sadly missed
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