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| For
as long as I can remember I have been fascinated by contrasts, the contrasts
between hot and cold, light and dark, good and evil. I am constantly
amazed how these contrasting elements magnify and intensify each other,
each giving the other a dimension that it does not possess on its own.
However I’m not only fascinated by the contrasts, but
by the variations in the contrasting elements themselves, and how these variations
affect the interplay between the contrasting elements. A lot of my work is a study in contrasts, contrasting matte with gloss, dark colors and bright, organic with geometric shapes, thick, impasto paint with thin layers, transparency and opacity, large planes of color with subtle shifts within those planes. I enjoy these contrasts. And it is the very use of these elements that unify my body of work, tying the pieces together, while at the same time contrasting them one against another. I enjoy the way that this plays upon the eye, adding a dimension beyond the bold designs and large planes of color, adding a dimension that gives my work a visual presence that is hard to deny. |
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