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aaron
cowan, cincinnati ohio, painter, montage, collage, found
art, dada
aaron cowan
STATEMENT:
The body of work which appears here began to take shape
in May of 2003, in the form of brief notes and sketches
in my journal. The next step was to find source material
relating to these ideas: letters ,images and other ephemera.
Towards the end of October 2003, I began the physical production
of this body of work, concluding in May 2004.
The body of work consists
of nearly 25 paintings, of which, 12 are seen here. These
are the most resolved works in the series, and best illustrate
my intentions for the series.
The process by which these
works were completed, in most cases, began by formulating
an idea with no clear cut conclusions. I then worked to
construct a visual dialogue discussing these fundamental
ideas. Often, the images that developed were found images
(culled from printed material, photographs, or slides) lending
a sense of realism and a new life to once forgotten persons,
places and events. Through this process, the paintings take
on a new personality and psychological presence. The images
go beyond their mundane foundation to one of experience,
reaching beyond what a typical photograph or portrait often
fails to achieve. The works taking aim to capture the essence,
rather than capturing an actual record of physical characteristics-reaching
into the experience.
MATERIALS USED:
graphite, pastel, oil pastel, chalk, charcoal, conte crayon,
prismacolor, charcoal pencil, marker, paint pen, mohawk wood
touchup marker, paint sticks, ebony jet black #6325, india
ink, gouache, platak tempera, watercolor, latex, rustoleum,
primer, acrylic, oil, sign, textile paints various glazes
:wall glazing, varnish, screen printing varnish, mod podge,
porcelain setting agent, pumice gel, matte, gel, gloss mediums
and various printed and written materials (books, magazines,
blueprints, photos, letters, worksheets ,directions, etc.)